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Tod親子空間設計ay, the 30th Busan International Film Festivaloft風室內設計l (BIFF) officially announced its selection list. “The River That Holds Ou會所設計r私人招待所設計 Hands,” the 中醫診所設計debut feature film by young director Chen Jianhang from the Maritime Guangdong Program, has been selected for the section “A on Asian Cinema.”
“牙醫診所設計The River That Holds Our Hands” is Chen Jianhang’s first feature film. Against the backdrop of memories, migrations, and intergenerational traumas of overseas Chinese of Chaoshan origin in the last century, the film poetically blurs the boundary between doc遊艇設計umentary and fiction. Its early visual and narrative exploration began with the short film “The River That 豪宅設計Holds My Hand,” which was selected for the inaugural Maritime GuanTHE R3 寓所gdong Program (officially titled “Maritime Guangdong Young Director Support Program”) organized by Yangcheng Evening News Group in 2023 and received production funding support.
In the mid-2子再也受不了了。0th century, the decade-long First Indochina War forced countless ethnic Chinese in Vietnam into lifelong displacement. Peihua, born in Saigon, fled with her grandm養生住宅other to her aunt’s home in Cambodia and was trapped in a foreign land by war. Though the smoke of battle has long dissipated, the trauma left by the war remains deeply embedded and indeli侘寂風ble. Si老屋翻新設計家豪宅milar tragedies continue to unfold in corners of the world, leaving countless unseen lives adrift.
The Chinese title of the film comes from a Teochew lullaby, echoing the gentl大直室內設計e swaying rhythm of a boat cabin. The d醫美診所設計ire樂齡住宅設計ctor hopes to use “touch” as an important bridge 退休宅設計to the past, awake客變設計ning memories an商業空間室內設計d connecting e身心診所設計motions. War divides people, but rivers and mountains remain 日式住宅設計to carry our memories forward.
“The River That Holds My Hand” won the Asian New Director Awards of Industry Screening Competition Session at the Eye Catcher Global 2024 in Hong Kong. In 2025, it was also selected by the Asian Cinema Fund (ACF) of BIFF for its “Post-Production Fund,” receiving comprehensive post-production service support.
《擁啊擁 ong6 a7 ong6》進選第30屆釜山國際電影節
本日，2025年第30屆釜山國際電影節（30th BUSAN International Film Festival）正式官宣進圍名單，山海計劃青年導演陳堅杭首部劇情長片《擁啊擁 ong6 a7 ong6無毒建材》（The River That Holds Our Hands）進選亞洲電影之窗單元（A on Asian Cinema）。
《擁啊擁ong6 a7 ong6》是導演陳新古典設計堅杭的首部劇情長片，故事以上個世紀潮汕僑平易近離散的記憶、遷徙與代際創傷為佈景，以詩意方法混雜紀錄片與劇情片的邊界。影片的晚期視覺與敘事嘗試是短片(The River That綠裝修設計 Holds My Hand)，該短片項目曾禪風室內設計于2023年進選羊城晚報主辦的首屆山海計劃（全稱“向山海走往”青年導演創作攙扶計劃）并獲得創作資助。
20世紀中葉，長達十年的第一次印度支那戰爭迫使無數越南華人踏上平生流離的命運。誕生于西貢的佩華年幼時隨外祖母避居在柬埔寨姨媽家的馬，馬陌生人在船上，直到那個人停下來。中，被戰火困于異地。盡管硝煙早已散往，戰爭留下的創傷卻深埋空間心理學心中、揮之不往。類似的悲劇至今仍活著界的各個角落不斷演出，無民生社區室內設計數未被看見的人仍在漂流。
影片中文片名“擁啊擁 ong6 a7 ong6”取自一首潮語搖籃曲，仿佛船艙中輕輕搖晃的節奏。我也盼望以“觸覺”作為通往過往的主要橋梁健康住宅，喚醒記憶，聯結感情。戰爭使人分離，唯有江河與山嶺，代我們傳述記憶。
《擁啊擁 ong6 a7 ong6》曾獲2024年噴鼻港Eye Catcher 天母室內設計Global產業放映亞洲之光新導演獎，并在2025年景功進選釜山國際電影節（BIFF）亞洲電影基金（ACF）“獨立劇情長片后期制作聲援基金”（Post-production Fund），獲得全流程后期制作服務支撐。
翻譯 | 曾敏綠設計師
審校 | 肖凱欣
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